So Near, So Far. Czech art 1947–1960 in international socio-cultural contexts

Czech visual art between 1947 and 1960 has never before been considered in a broader European context that avoids the stereotype of the “Iron Curtain.” At the same time, when looking at this period, certain clichés and stereotypes are repeatedly perpetuated, hindering the understanding of the true nature and position of Czech art during this period within the post-war world. The goal of the book is to provide a fresh evaluation of Czech art during this period, steering clear of the stereotypes associated with Central and Eastern Europe, and instead, viewing this art as integral to the multifaceted post-war evolution of Europe.